Showing Records: 41 - 60 of 1124
Acting class syllabi, undated
File — Box: 4, Folder: 2
Series Description
From the Series:
The first subseries, Education and Training, contains Mary Sue's yearbooks, class notes, and her thesis from her years at Baylor University, where she gained her undergraduate and masters degrees in drama. Also included are slides of the 1952 trip to Paris made by the Baylor Drama students with Paul Baker. The next subseries, Acting, Design, and Directing Career, contains records, audiotapes, photographs, slides, posters, letters, scripts, set designs and costume designs. The...
Dates:
undated
Acting, Design, and Directing Career, 1955-1973, undated
Sub-Series
Series Description
From the Series:
The first subseries, Education and Training, contains Mary Sue's yearbooks, class notes, and her thesis from her years at Baylor University, where she gained her undergraduate and masters degrees in drama. Also included are slides of the 1952 trip to Paris made by the Baylor Drama students with Paul Baker. The next subseries, Acting, Design, and Directing Career, contains records, audiotapes, photographs, slides, posters, letters, scripts, set designs and costume designs. The...
Dates:
1955-1973, undated
Acting I and Audition notes, Spring 1988
File — Box: 16, Folder: 4
Series Description
From the Series:
Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates:
Spring 1988
Acting I and Playwriting, Spring 1989
File — Box: 16, Folder: 5
Series Description
From the Series:
Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates:
Spring 1989
Acting I and Playwriting, Spring 1991
File — Box: 18, Folder: 4
Series Description
From the Series:
Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates:
Spring 1991
Acting I and Playwriting, class notes, Spring 1987
File — Box: 17, Folder: 5
Series Description
From the Series:
Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates:
Spring 1987
Acting IV, class notes, Fall 1986
File — Box: 15, Folder: 8
Series Description
From the Series:
Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates:
Fall 1986
Acting Notes, 1953, 1955, undated
File — Box: 2, Folder: 10
Series Description
From the Series:
The first subseries, Education and Training, contains Mary Sue's yearbooks, class notes, and her thesis from her years at Baylor University, where she gained her undergraduate and masters degrees in drama. Also included are slides of the 1952 trip to Paris made by the Baylor Drama students with Paul Baker. The next subseries, Acting, Design, and Directing Career, contains records, audiotapes, photographs, slides, posters, letters, scripts, set designs and costume designs. The...
Dates:
1953, 1955, undated
Acting resume and accompanying headshot, undated
File — Box: 12, Folder: 4
Series Description
From the Series:
This small series includes Zagst’s personal acting resume and accompanying headshot.
Dates:
undated
Actors and agents, list developed for production of War and Peace, undated
File — Box: 10, Folder: 2
Series Description
From the Series:
The first subseries, Education and Training, contains Mary Sue's yearbooks, class notes, and her thesis from her years at Baylor University, where she gained her undergraduate and masters degrees in drama. Also included are slides of the 1952 trip to Paris made by the Baylor Drama students with Paul Baker. The next subseries, Acting, Design, and Directing Career, contains records, audiotapes, photographs, slides, posters, letters, scripts, set designs and costume designs. The...
Dates:
undated
Actor's copy (L.D.)
File — Box: 9, Folder: 8
Series Description
From the Series:
This series is organized into 3 subseries: Unproduced Writings; A Texas Trilogy; and Post-Trilogy plays. Many of the files reflect Mary Sue's filing system but the material has been consolidated and reorganized by play in chronological order. The group Unproduced Writings contains manuscripts of Preston Jones’ unproduced plays. Included is his thesis adaptation of The Night of the Hunter. The three plays of the trilogy in the second subseries were performed together...
Dates:
1973-1988, undated
Additional copies, undated
File — Box: 18, Folder: 8-9
Series Description
From the Series:
This series is organized into 3 subseries: Unproduced Writings; A Texas Trilogy; and Post-Trilogy plays. Many of the files reflect Mary Sue's filing system but the material has been consolidated and reorganized by play in chronological order. The group Unproduced Writings contains manuscripts of Preston Jones’ unproduced plays. Included is his thesis adaptation of The Night of the Hunter. The three plays of the trilogy in the second subseries were performed together...
Dates:
undated
Address book, undated
File — Box: 27, Folder: 2
Series Description
From the Series:
Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates:
undated
Adolf, Viola Ebel. Lisa’s Texas Grandma. Boerne, Texas: Highland Press, 1963
File — Box: 2, Folder: 1
Sub-Series Description
From the Sub-Series:
This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates:
Publication: 1963
AGNI Review, 1981 - 1983
File — Box: 32, Folder: 10
Sub-Series Description
From the Sub-Series:
Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary
journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...
Dates:
1981 - 1983
Al Milano projects, memos and clippings, 1982-1983
File — Box: 10, Folder: 7
Series Description
From the Series:
The first subseries, Education and Training, contains Mary Sue's yearbooks, class notes, and her thesis from her years at Baylor University, where she gained her undergraduate and masters degrees in drama. Also included are slides of the 1952 trip to Paris made by the Baylor Drama students with Paul Baker. The next subseries, Acting, Design, and Directing Career, contains records, audiotapes, photographs, slides, posters, letters, scripts, set designs and costume designs. The...
Dates:
1982-1983
American Glossary of Architectural Terms
File — Box: 5, Folder: 2
Sub-Series Description
From the Sub-Series:
This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates:
circa 1980s
American Place Theater, 1973-1974
File — Box: 24, Folder: 1
Series Description
From the Series:
This series contains journals, address books, correspondence, contracts, royalty payments, articles, clippings and photographs. The major part of the material relates to A Texas Trilogy and is made up of communications with agents, fans, and theaters concerning options on the plays. Included is correspondence with Hal Wallis in regard to the movie production of the Trilogy.
Dates:
1973-1974
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University Archives
Room 580, Alkek Library
601 University Drive
San Marcos Texas 78666 USA
UnivArchives@txstate.edu
Room 580, Alkek Library
601 University Drive
San Marcos Texas 78666 USA
UnivArchives@txstate.edu
The Wittliff Collections
7th Floor, Alkek Library
601 University Drive
San Marcos Texas 78666 USA
Wittliff_Ref@txstate.edu
7th Floor, Alkek Library
601 University Drive
San Marcos Texas 78666 USA
Wittliff_Ref@txstate.edu